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Analysis Compositions


Click on the link to listen to audios and watch videos of performances of the compositions analyzed in the book.

Chapter 9 Hexachords page 63

Alma Redemptoris Mater - Monteverdi Choir

Chapter 11 page 79

Sicut Cervus Palestrina - The Cambridge Singers


Chapter 12 page 87 

O Nata Lux  Thomas Tallis - The Choir of Trinity, Cambridge

Chapter 12 page 92

The Day Christ Was Born William Byrd - The Sixteen


Chapter 13 page 104

Komm, süßer Tod (BWV 478) J.S. Bach- David Szigetvari (tenor) - Xaver Varnus (organ)


Immortal Bach - Komm süsser Tod  J.S. Bach - Musisches Gymnasium Salzburg


Immortal Bach - Komm süsser Tod - Knut Nystedt


Chapter 14 page 110/112

Ave Verum Corpus W.A.Mozart - King’s College


Ave Verum Corpus W.A. Mozart - Bavarian Radio Orchestra

Chapter 15 page 117

Vier Doppelchörige Gesänge, Op. 141: III. Zuversicht - The Netherlands Chamber Choir


Chapter 15 page 134

Abendlich schon rauscht der Wald Fanny Hensel - Kammerkorat Musica


Chapter 16 page 140

2 Motets, Op. 29: No. 2, Schaffe in mir, Gott, ein rein Herz Johannes Brahms - Donald Brinegar Singers (Concert Recording)

Chapter 17 page 152

Psalm 90 Charles Ives - Donald Brinegar Singers (Concert Recording)


Chapter 17 page 160

Oscillations | 100 Years and Foreer Ellen Reid - UCI Chamber Singers, Members of the USC Choral Artists, and the Donald Brinegar Singers

Chapter 18 page 175

Da pacem Domine  Arvo Pärt - Estonia Chamber Choir


Chapter 19 page 193

O magnum mysterium Morten Lauridsen - Nordic Chamber Choir


Chapter 19 page 211

Perhaps Dale Trumbore - Choral Arts Initiative, Southern California

Chapter 20 page 220

Lady In the Water Eric Barnum - USF Chamber Singers


Chapter 20 page 226

Let My Love Be Heard Jake Runestad - Bob Cole Conservatory Cal State Long Beach Chamber Choir

Chapter 21 page 241

Lux Aurumque Eric Whitacre - Virtual Choir


Chapter 21 page 249

The Sun Never Says- Dan Forrest Voces8

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