Analysis Compositions
Click on the link to listen to audios and watch videos of performances of the compositions analyzed in the book.
Chapter 9 Hexachords page 63
Alma Redemptoris Mater - Monteverdi Choir
Chapter 11 page 79
Sicut Cervus Palestrina - The Cambridge Singers
Chapter 12 page 87
O Nata Lux Thomas Tallis - The Choir of Trinity, Cambridge
Chapter 12 page 92
The Day Christ Was Born William Byrd - The Sixteen
Chapter 13 page 104
Komm, süßer Tod (BWV 478) J.S. Bach- David Szigetvari (tenor) - Xaver Varnus (organ)
Immortal Bach - Komm süsser Tod J.S. Bach - Musisches Gymnasium Salzburg
Immortal Bach - Komm süsser Tod - Knut Nystedt
Chapter 14 page 110/112
Ave Verum Corpus W.A.Mozart - King’s College
Ave Verum Corpus W.A. Mozart - Bavarian Radio Orchestra
Chapter 15 page 117
Vier Doppelchörige Gesänge, Op. 141: III. Zuversicht - The Netherlands Chamber Choir
Chapter 15 page 134
Abendlich schon rauscht der Wald Fanny Hensel - Kammerkorat Musica
Chapter 16 page 140
2 Motets, Op. 29: No. 2, Schaffe in mir, Gott, ein rein Herz Johannes Brahms - Donald Brinegar Singers (Concert Recording)
Chapter 17 page 152
Psalm 90 Charles Ives - Donald Brinegar Singers (Concert Recording)
Chapter 17 page 160
Oscillations | 100 Years and Foreer Ellen Reid - UCI Chamber Singers, Members of the USC Choral Artists, and the Donald Brinegar Singers
Chapter 18 page 175
Da pacem Domine Arvo Pärt - Estonia Chamber Choir
Chapter 19 page 193
O magnum mysterium Morten Lauridsen - Nordic Chamber Choir
Chapter 19 page 211
Perhaps Dale Trumbore - Choral Arts Initiative, Southern California
Chapter 20 page 220
Lady In the Water Eric Barnum - USF Chamber Singers
Chapter 20 page 226
Let My Love Be Heard Jake Runestad - Bob Cole Conservatory Cal State Long Beach Chamber Choir
Chapter 21 page 241
Lux Aurumque Eric Whitacre - Virtual Choir
Chapter 21 page 249
The Sun Never Says- Dan Forrest Voces8